BACKSTAGE PASS

Some nights the room calls for a whisper, some nights a shout. I’ve been chasing that balance for over 20 years—on stages big and small, under chandeliers in Highland Park ballrooms and under string lights on a friend’s back porch. Whether I’m reimagining a pop song, leaning into a soulful ballad, or letting one of my own originals take center stage, the goal’s the same: make it feel alive in the moment.

Clients say I make it easy. I’m the guy who shows up prepared, adapts to the room, and reads the crowd without forcing it. The music isn’t just background—it’s part of the atmosphere. From luxury hotels like The Westin to landmark venues like the Rosewood Mansion and the Fort Worth Boat Club, I’ve played events where every detail matters, and the reviews tell me I leave guests with something to remember.

I’ve sung at weddings where every song felt like a memory in the making, and at corporate events where the music turned coworkers into old friends. I’ve also spent more hours than I can count in the studio, producing my own songs—like the EP Life and Death, which Baylor University’s Baylor Magazine gave a 5/5—and helping other artists bring theirs to life.

If there’s a through-line in all of it, it’s this: music works best when it’s real. No overthinking, no overplaying—just the right song at the right time. One night that might mean Adele’s “Hello” with a harmonica break, the next it’s turning a radio hit into something that feels like a Hill Country sunset.

I’m Brady Davis. I sing, I play, I write, I produce—and I love nothing more than creating the kind of moments people talk about long after the last note fades.